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曼努克的畫作審視了這樣一種觀念：我們看似分離和孤立的生活經(jīng)歷，掩蓋了我們共同的紐帶。她將傳統(tǒng)油畫與超現(xiàn)實(shí)主義象征相結(jié)合，傳達(dá)了技法創(chuàng)新對(duì)人體和心理的影響。在她的繪畫中，一個(gè)反復(fù)出現(xiàn)的主題是女性的形式，她承擔(dān)著世俗的悲傷和錯(cuò)誤的觀念，她的身體鞠躬，表示順從。她說，面具和假想的身份，阻礙了大腦認(rèn)識(shí)到把我們作為人類團(tuán)結(jié)在一起的東西?！?我們制造的虛假外表，使我們對(duì)共享體驗(yàn)的、有意義的想法視而不見。”?—— 前 言 亞美尼亞藝術(shù)家 亞歷山德拉·曼努克 （Alexandra Manukyan） 亞歷山德拉·曼努克（Alexandra Manukyan）在亞美尼亞出生和成長(zhǎng)。她畢業(yè)于美術(shù)學(xué)院，然后畢業(yè)于國(guó)立教育大學(xué)，主修美術(shù)教學(xué)。
1990年移居洛杉磯后，亞歷山德拉（Alexandra）的工作重點(diǎn)轉(zhuǎn)向了時(shí)尚。她畢業(yè)于時(shí)裝學(xué)校，并在該行業(yè)從事設(shè)計(jì)師工作達(dá)二十年。她還在不同的大學(xué)學(xué)習(xí)過平面設(shè)計(jì)。她在平面設(shè)計(jì)方面的經(jīng)驗(yàn)使她有機(jī)會(huì)成為一名自由職業(yè)者并為各種娛樂機(jī)構(gòu)制作電影海報(bào)，從而涉足娛樂行業(yè)。
自2006年以來，亞歷山德拉（Alexandra）開始參加眾多國(guó)際和本地個(gè)展和團(tuán)體展覽。2012年，亞歷山德拉（Alexandra）離開了時(shí)尚和娛樂行業(yè)，專注于繪畫。如今，她在自己的工作室任教，并利用多年積累的技術(shù)和創(chuàng)作經(jīng)驗(yàn)創(chuàng)作藝術(shù)品。
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